Amazon.com interviewer: "[T]he tag line is, '...look closer.'"
Alan Ball (screenplay writer): "And when you first see the title you think, "American Beauty + rose," and then you see the movie and you think that Angela's the American Beauty--the blond cheerleader that is the secretive object of lust. But it's not Angela-- it's that plastic bag. It's the way of looking at the world and seeing what incredible beauty there is in the world. And I think that's something that we're born with that gets ironed out of us by our culture and by experience and by conformity. I think there's a part of everybody that yearns to get that back."
Amazon.com interviewer: "There's something so simple and poetic about Ricky's encounter with the plastic bag that just keeps whirling in the breeze. You're not sure what it means, but the simple beauty of it has a profound effect. How did that come about? "
Alan Ball: "I had an encounter with a plastic bag! And I didn't have a video camera, like Ricky does. I'm sure some people would look at that and go, 'What a psycho!' But it was a very intense and very real moment. There's a Buddhist notion of the miraculous within the mundane, and I think we certainly live in a culture that encourages us not to look for that. I do like, though, that Ricky says, 'Video's a poor excuse, but it helps me remember.' Because it's not the video he's focused on; it's the experience itself. He's very connected to the world around him." [italics added]
"The appreciation of beauty, in the sense of a surrender to its influence rather than a critical analysis, is another example . . . of a simple spiritual contact. . . . Beauty is a great and quiet teacher. But what I am asking here is that in your response to beauty you notice the difference between the out-going expanded feel of you, and the in-drawn close-huddled concentration of ordinary affairs." |
- First, he had an "encounter with a plastic bag." In other words he had an epiphany in which the mystery of beauty revealed a mystical dimension hidden within the physical world.
- Then he tells us that the actual writing of the screenplay was an experience of extraordinary disclosure.
"I was working full-time as a co-executive producer on a network sitcom, so I was coming home at one in the morning and writing for two hours and going to sleep. I just got in the zone, and it seemed to have its own life and the characters seemed so real, and it was like channeling". [italics added]
". . . You have to have a deep and fundamental acceptance of mortality to really be able to see what's beautiful in life, because beauty and truth are inextricably connected. That's not a particularly original thought, but a lot of stuff in the script is really instinctive. I didn't think about what the purpose of it was, or that kind of thing. And now I find myself trying to second-guess what is symbolic of what, and what it means."
"If there's any theme to this movie, it's that nothing is what it appears to be on the surface. That there is a life behind things and it's much more interesting and real than the veneer of reality that we all sort of tacitly agree to accept."
Amazon.com interviewer: "Ricky is a drug dealer, but of all the characters he seems to be the most levelheaded and the most sure of who he is."
Alan Ball: "He's certainly the most, I think, evolved. You look at Ricky and you look at what he's grown up in, the environment of repression and brutality, and it's amazing. What is it that kept him from becoming one of those kids who goes to school with a gun and just starts shooting? Something.... His ability to see the beauty in life is what kept him from just shutting down and becoming twisted and brutal. I think everybody has that ability, and we all make choices."
". . . All earth experiences are like the coloring used on the slides of a microscope to make you conscious of invisible things." |